IN HONOR OF BLACK HISTORY MONTH 2024, WE REFLECT ON HISTORIC PENN CENTER

Penn School was founded in 1862 as a school for formerly enslaved people. The school established a commitment to Black education, community welfare, and cultural heritage that has remained strong for over 150 years. Penn School functioned as an educational institution, health clinic, farm bureau, a catalyst for community action, and a repository for preserving St. Helena Island’s unique Gullah heritage and written history.

Original Building of the Penn School, St. Helena Island, SC (From the Penn School Collection)

At the turn of the century the school’s curriculum was revised to follow the Hampton-Tuskegee model of Black education - training students in masonry, carpentry, domestic arts, and midwifery. The school closed in 1948, but the community service and cultural preservation originated by its founders flourished through Penn Community Services, Inc., organized in 1951. Penn opened South Carolina’s first day care center for African Americans, provided a community health care clinic and a Teen Canteen.

The first basket teacher at the Penn Schoo, lSt. Helena Island, SC (From the Penn School Collection)

A class in mending & sewing at the Penn School, St. Helena Island, SC (From the Penn School Collection)

Throughout the 1960s, Penn Center sponsored and hosted interracial conferences on civil rights organized by groups including the NAACP, CORE, SNCC, Southern Regional Council, South Carolina Council on Human Relations, World Peace Foundation, and the Peace Corps. The Southern Christian Leadership Conference (SCLC) held citizenship education classes at Penn, taught by iconic organizers Andrew Young, Dorothy Cotton, Bernice Robinson, and Septima P. Clark. Andrew Young introduced Dr. Martin Luther King, Jr., to Penn Center. King, his SCLC lieutenants, and countless unnamed activists met with the SCLC at Penn five times between 1964 and 1967.

At Penn Center in 1966, the Rev. Jesse Jackson, Joan Baez, Ira Sandpearl, & Dr. Martin Luther King, Jr. (Photo Credit: Bob Fitch)

In November 1966, during a formal speech he gave at Penn Center, Dr. Martin Luther King, Jr. connected the long struggle for African American civil rights to the neglected fight for economic equality. In September 1974, the historic campus, Brick Church, and surrounding areas were listed in the National Register of Historic Places. In subsequent decades, Penn Center continued to serve as a site for church and organizational retreats, a training center for various organizations, and an educational site for Black history and culture. In January 2017, President Barack Obama designated the Beaufort National Landmark District, Camp Saxton Site, Penn Historic District and the Old Beaufort Firehouse as the Reconstruction Era National Historical Park  under management of the National Park Service. In 2021, the Penn Center was added to the African American Civil Rights Network (AACRN), as well as the Reconstruction Era National Historic Network. For more information on The Penn Center visit www.penncenter.com.

Liollio Architecture is honored to have had the privilege to design the St. Helena Branch Library which houses a Gullah Geechee Special Collections area and is contiguous to the National Historic Landmark campus of Penn Center.

St. Helena Branch Library at Penn Center, St. Helena Island, SC (Photo Credit: Richard Leo Johnson)

For more information regarding National Park Service’s Gullah Geechee Cultural Heritage Corridor (established by Congress in 2006), please visit: www.nps.gov/places/gullah-geechee-cultural-heritage-corridor.htm.

Design Plans Unveiled for New Discovery Place Nature

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April 22, 2022 DISCOVERY PLACE NATURE

Discovery Place celebrated Earth Day by unveiling design plans for the reimagining of Discovery Place Nature situated in Charlotte’s Freedom Park. The new nature haven will be a world-class environmental education center serving the Carolinas and will feature a free public garden filled with wildlife and native plants, inviting the community to connect with and explore the wonders of our natural world.

The project is a public-private partnership between Mecklenburg County, who owns the property and facility, and Discovery Place, a nonprofit leader for science education in the U.S., which has operated the Museum since its doors opened to the Charlotte community in 1947.

“Discovery Place Nature has been an incredible community resource for decades,” said Mecklenburg County Manager Dena R. Diorio. “This is a huge step toward ensuring it remains a valuable learning resource for decades to come.”

A public-private partnership, the new Museum will be developed at the 71-year-old facility’s current location on Sterling Road adjacent to Freedom Park, providing a complete reinvention of the current Discovery Place Nature—the first nature museum in the Southeast. The Board of County Commissioners of Mecklenburg County previously approved the recommendation of County staff and Discovery Place to select the award-winning team of Liollio Architecture and Hood Design Studio to lead the planning and design of the new Discovery Place Nature.

“Mecklenburg County and Discovery Place are thrilled to have such a talented and environmentally-focused team on board to bring a new future for Discovery Place Nature to life,” said Catherine Wilson Horne, president & CEO of Discovery Place Inc. “We can’t wait to see the vision formed by Liollio and Hood, two organizations with deep Carolina roots, come to life for one of Charlotte’s most beloved and important institutions. The new design will allow us to connect with the community in an elevated way, including signature environment educational experiences and programming for all ages.”

Based in Charleston, South Carolina, Liollio Architecture has been providing thoughtful, respectful, creative design since 1956. Their work spans both the private and public sectors, providing sustainable architecture, interior design and historic preservation. Liollio has built a reputation on design through community engagement and collaboration, and their work is rooted in the particulars of place, people and landscape.

Liollio has won more than 100 design awards over the years for its work, including the 2016 American Institute of Architects South Carolina Firm Award; the Library Journal Landmark Library National Award for St. Helena Library at Penn Center; and the AIA South Atlantic Region Honor Award for Hampton Health Clinic.

“We are honored to be collaborating with Discovery Place and Mecklenburg County on the new Discovery Place Nature, which will combine Discovery Place’s capacity for innovation and education in science, nature and design with the incredible setting of Freedom Park,” said Jennifer Charzewski, Principal at Liollio Architecture. “The Liollio and Hood Design Studio team sees this as an exciting opportunity to create an engaging and creative place for residents and visitors for generations to come.”

California-based Hood Design Studio, led by Charlotte native Walter Hood, will partner with Liollio on the Discovery Place Nature project. The studio’s award-winning landscape design, public art, installation art and urbanism unveil the emergent beauty, strangeness, subjectivity and idiosyncrasies of place. They root their design work in collaboration, seeing projects thrive under the joint efforts of design teams and through engagement with constituents and local communities.

Hood Design is well-known for their work, which includes projects such as The Broad Museum Plaza in Los Angeles, the new de Young Museum gardens in San Francisco, the Cooper-Hewitt Arthur Ross Terrace and Garden in New York City and the soon-to-open International African American Museum in Charleston, SC. The firm has been the recipient of several awards, including a California Preservation Award for Bayview Opera House from the California Preservation Foundation, the Cooper-Hewitt National Design Award in Landscape Design and Wall Street Journal’s Best Architecture Award for the University at Buffalo Solar Strand.

In 2021 founder Walter Hood was elected to the American Academy of Arts and Letters in New York, which is “considered the highest form of recognition of artistic merit in the United States.”

Construction for the new Discovery Place Nature Museum is scheduled to begin in the spring of 2023.

About Discovery Place Nature

Founded in 1947 as the Children’s Nature Museum, Discovery Place Nature has been a staple in Charlotte’s education and cultural community for 75 years. The Museum conjures curiosity and activates the imagination through educational experiences that help us connect to the natural world. Guests can discover native animal species, encourage imaginative play in Fort Wild, take a family trek through the 100-year-old trees on the Paw Paw Nature Trail and explore the stars in the planetarium. For more information, visit discoveryplace.org or call 704.372.6261 x300.

About Liollio Architecture

Liollio believes creativity originates through the eyes and stories of communities based on subtle and restrained design, rooted in context, culture and collaboration. For over 63 years, Liollio has provided architecture, interior design, programming, historic preservation and master planning services. Liollio has been honored by the American Institute of Architects South Carolina Chapter as a Firm Award Recipient. Visit liollio.com for more info.

About Hood Design Studio

Hood Design Studio is tripartite practice, working across art + fabrication, design + landscape, and research + urbanism. The resulting urban spaces and their objects act as public sculpture, creating new apertures through which to see the surrounding emergent beauty, strangeness, and idiosyncrasies. The Studio’s award-winning work has been featured in publications including Dwell, The Wall Street Journal, The New York Times, Fast Company, Architectural Digest, Places Journal, and Landscape Architecture Magazine.

College of Charleston Arts Building Set for Multimillion-Dollar Overhaul

A rendering shows a design of what the renovated Albert Simons Center could look like from St. Philip Street. College of Charleston/Provided

By Maura Hogan mhogan@postandcourier.com
The Post and Courier
Sep 3, 2021

The College of Charleston is set to begin a multimillion-dollar renovation of the Albert Simons Center for the Arts.

It realizes a plan that was set in motion by the college years ago.

“This has been a long time coming and we’re delighted,” School of the Arts Dean Edward Hart said in a statement.

From the project’s onset, the college estimated its cost at $50 million. The arts center, which is on St. Philip Street on the college campus, will be closed for the next two years while the 42-year-old building’s renovation is completed. The renovation will upgrade classrooms and performance spaces as well as the building’s technology and infrastructure. Construction is slated to begin in late September.

The College of Charleston’s Albert Simons Center for the Arts will undergo extensive renovations. File/Brad Nettles/Staff

Designed by Liollio Architecture and HGA Design Firm, the reimagined Simons Center is conceived to be inviting to students, featuring colors inspired by iconic architectural features found on campus, such as the blue-green door of Towell Library and the coral color of Randolph Hall.

“It will look brighter and I think it will be more noticeable from the street,” he said.

The work will involve 87,365 square feet, according to Brad Weiland, senior project manager for the College of Charleston’s facilities management, with the renovated Simons Center encompassing more than 99,000 square feet.

Hart points out that while the Simons Center has served the department well since opening in 1979, it was in need of an upgrade after more than 40 years. It opened with the aim of serving up to 800 students.

A rendering shows a possible design of what the renovated lobby of the Simons Center could look like, featuring large windows and tall ceilings. College of Charleston/Provided

Today, the College of Charleston said the building, which is the main hub of the School of the Arts, accommodates five times that number.

Among the key improvements will be new seminar classrooms, updated and enlarged classroom spaces and a new two-story black box theater. The School of the Arts will also benefit from a state-of-the-art costume shop, scene shop and theater design studio; new sculpture, printmaking and drawing studios; a digital lab and gallery/multipurpose room; new music practice rooms and revamped dressing room spaces.

The renovation also includes mechanical, electrical and plumbing systems and updated technological systems.

Five locations around campus will house School of the Arts programs and departments during the renovation. These include Harbor Walk West, 136 St. Philip St. (the former site of Redux Contemporary Art Studio); the Lightsey Center, Calhoun Annex (172 Calhoun St./Chapel Theatre); and 329 King St. (corner of King and George streets).

A rendering shows a design of the main corridor inside the Albert Simons Center. College of Charleston/Provided

With the Recital Hall and the Emmett Robinson Theatre, located within the Simons Center, closed for the duration of the renovation, many School of the Arts performances will be held in the college’s Sottile Theatre as well as the Chapel Theatre.

Construction will run through 2022, and major completion of the building will take place in the spring of 2023, with an estimated opening for the fall 2023 semester, Weiland said.

With large windows, a modern façade and carefully chosen brick, Hart said the entrance is meant to subtly grab visitors’ attention as they make their way from the rear of Randolph Hall to St. Philip Street.

College of Charleston students visit the Albert Simons Center for the Arts in 2019. The building, located on St. Philips Street, soon will be getting a makeover. File/Brad Nettles/Staff

The building will also give added visual prominence to School of the Arts, and its role in the city of Charleston’s arts scene. It dovetails with new branding, centered on the tagline “The Artistic Heartbeat of Charleston.”

“There really isn’t an artistic institution in this town that we aren’t somehow involved with, whether it’s a direct relationship or partnership or whether it’s our graduates that are over there or our faculty members,” Hart said. 

The College of Charleston has deep connections with Spoleto Festival USA, Piccolo Spoleto, the Charleston Symphony, the Charleston Gaillard Center, the Preservation Society of Charleston, as well as many area theater and dance companies and art galleries.

“We can just go on and on, and I think it’s time for us to claim that. Charleston is an arts city and we’re at the heart of it,” Hart said.

With such an integral role in Charleston’s arts scene, the significant investment also bodes well for continued arts vitality in the years ahead.

“When times are tough, very often the arts take it on the chin. And our administration has shown the foresight to really stand by us with this project, which indicates that the arts really are a priority for the College,” Hart said.

USCB Hilton Head Hospitality Management Campus Featured in Local Life Magazine

LOCAL Life is about living well in the Lowcountry. Stories are everywhere: intriguing people and places, food and fashion, culture and creativity, homes and health. These stories embody our local style and sophistication with a southern twist. Eloquently written words and stunning photography capture the local essence in a way that educates, entertains and engages locals who are inspired and want more.

LOCAL Life Magazine, a publication celebrating the stories, culture, and people that make Hilton Head, Beaufort & Bluffton SC unique, showcases the University of South Carolina-Beaufort's Hilton head Hospitality Management Campus as a backdrop to a fashion shoot, while providing details on the building’s design. Visit www.locallifesc.com for more.

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College of Charleston set to embark on a $50M renovation of major campus building

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The College of Charleston’s Albert Simons Center for the Arts will undergo extensive renovations beginning in the spring of 2020. Brad Nettles/Staff - Brad Nettles bnettles@postandcourier.com

By Adam Parker aparker@postandcourier.com
The Post & Courier
Aug 18, 2019

The College of Charleston’s Albert Simons Center, home to the School of the Arts, will undergo a $50 million makeover next year.

What will the final product look like? No one knows. 

The team at Liollio Architecture has been reconceiving the interior of the 80,000-square-foot Simons Center for a few years now, but no clear exterior designs have been produced yet “because there’s no agreement on what outside should look like,” said Valerie Morris, dean of the School of the Arts.

A few broad concepts are clear: The building needs a better main entrance and lobby; it needs to complement the adjacent Marion and Wayland H. Cato Jr. Center for the Arts, which opened in 2010; and it needs to fit into the campus aesthetic.

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Incoming freshmen at the College of Charleston visit the Albert Simons Center for the Arts on Monday, August 12, 2019. The building, located on St. Philips Street, soon will be getting a makeover. Brad Nettles/Staff - Brad Nettles bnettles@postandcourier.com

The modern red brick building on St. Philips Street sits at the end of a campus thoroughfare and is highly visible. The new design should acknowledge the need to create a welcoming front door and public space, and to connect with adjacent buildings, said Liollio lead architect Jennifer Charzewski.

“We want a design that celebrates the creativity of the arts,” she said.

When the College of Charleston’s Albert Simons Center was built 40 years ago, around 800 students made use of the building. Today, that number is more like 5,000.

The availability of the building’s performance venues helped convince Gian Carlo Menotti in the mid-1970s to locate Spoleto Festival USA in Charleston. As a result, the Simons Center quickly became “one of the primary places the public interacts with the college,” Charzewski said.

The building’s renovation has been a long time in the making. 

In 1994, the college introduced plans to upgrade the School of the Arts facilities and engaged architect Robert Stern to oversee the effort.

He conceived a neoclassical structure to match Randolph Hall across the street, but the Board of Architectural Review wanted something more modern, recalled Morris, the school’s dean. Then, residents of the neighborhood and others insisted on Stern’s approach. In the end, the college engaged Stevens & Wilkinson, which operated out of Columbia, to complete the $27 million project.

By then costs had gone up, so officials divided the School of the Arts renovation effort into two projects. The Simons Center would have to wait for the completion of another big renovation project: the $80 million Rita Liddy Hollings Science Center and Physicians Auditorium.

But all’s well that ends well, Morris said. The Joint Bond Review Committee late last month approved the plan to finance the renovation project with $45 million in proceeds from the issuance of academic and Administrative Facilities bonds. Another $5 million will come from nonrecurring state appropriations, revenues from college fees and, mostly, capital project institutional funds.

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A woman makes her way down the second floor hallway of the College of Charleston’s Albert Simons Center for the Arts on Monday, August 12, 2019. Brad Nettles/Staff - Brad Nettles bnettles@postandcourier.com

Student fees and tuition are not expected to go up because of the project, according to the college, although the Capital Improvement Fee, which is derived from a portion of tuition, has been increased three times in the last five years, from $781 per student per semester to $878 per student per semester.

Morris said she expects to move out of the Simons Center next summer and use the Harbor Walk buildings near the S.C. Aquarium for administrative offices, classrooms and more. The Chapel Theatre on Calhoun Street, Sottile Theatre on George Street and local church sanctuaries will provide performance space while the three Simons Center venues are shut down.

(Meanwhile, the Sottile Theatre is also undergoing renovation. It closed in February for $4.7 million in stage upgrades, and is slated to reopen in time for the 2020 Spoleto Festival.)

The revised interior of the Simons Center will include a new black box theater, state-of-the-art classrooms and upgraded infrastructure components such as bathrooms, HVAC and power stations. Heating and cooling problems will be resolved, along with the mold issue, Morris said.

Charzewski said the project also will upgrade mechanical and electrical systems while incorporating sustainable energy and flood protection. 

The renovation, she said, will change the face of the St. Philip Street corridor. Liollio is partnering on the renovation with Minneapolis-based HGA Architects, which specializes in arts, education and civic projects.

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The courtyard at the College of Charleston’s Albert Simons Center for the Arts fronts St. Philip Street and likely will be transformed by the upcoming renovation project led by Liollio Architects. Brad Nettles/Staff - Brad Nettles bnettles@postandcourier.com

Rodney Lee Rogers, an adjunct theater professor, said the new black box theater — a small, square performance space — will provide welcomed flexibility. The smaller, malleable venue will enable students to rehearse more easily, to experiment and to stage their own plays, Rogers said. 

“I think a black box for training is the most versatile kind of set-up you can have,” he said. “You can do a lot of things quickly ... and it’s more about performance.”

It’s great to have the Sottile Theatre and access to other big stages in town, but that’s not what students need most, Rogers said.

“For most actors, they’re going to be cutting their teeth in more adaptive smaller spaces, because they’re not going to get into the bigger spaces for a while.”

Currently, the Simons Center is about 80,000 square feet, Charzewski said. The project team will renovate 65,000 square feet, rebuild 15,000 square feet and add 10,000 square feet.

The third and final state-level review conducted by the State Fiscal and Accountability Authority on Aug. 13 was the last hurdle cleared, she said. The city’s Board of Architectural Review will have a chance to scrutinize the plans.

The work likely will begin in the summer of 2020 with the temporary relocation of the art school, followed by a groundbreaking in the fall of 2020, according to Paul Patrick, chief of staff to the president. School officials hope the project will be finished in time for the 2022-23 academic year.

Meanwhile, the College of Charleston will consider other pressing capital projects, President Andrew Hsu said. A campus that’s 250 years old needs constant attention, he noted.

Illuminating the Future: Library as Beacon

Browse selected images from Liollio's portfolio of library and educational learning environments. A very special thank you to Richland Library in Richland County SC. Featured projects include Richland Library Ballentine, St. Andrews and Blythewood, College of Charleston Science Building, Charleston Progressive Academy and Hip Hop Architecture Camp®️. Select images courtesy of Richland Library.

ACE Mentors of Charleston End of Year Banquet & Project Showcase

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May 18, 2017/in Burke HS, Featured, Liollio Architecture, LS3P, Partnership, Personalized Learning, R. B. Stall HS, St. Johns HS, STEM, Work-based Learning, Workforce Development /by Chad Vail

Charleston, SC – May 17, 2017 – A group of local architects, contractors, and engineering professionals are doing their part to ensure the next generation is ready for the critical infrastructure and development related jobs in Charleston, and throughout the nation.

ACE Mentors of Charleston connects professionals with local classrooms for project-based learning and relationship building. Students work in teams on various aspects of large scale, multifaceted construction projects. The students choose the projects and all the elements to bring the design to a workable set of plans, and even a scale model in some cases.

Each year, to celebrate the students’ success and the investment of time by the many volunteers, a special banquet is held to allow each team to share a presentation on their chosen project.

The 2017 ACE Banquet was held at the Wolf Street Playhouse again, and Home Team BBQ was served, complete with cole slaw, mac & cheese, and iced tea.

This year, 3 CCSD schools participated in the ACE Mentoring program: Burke HS, St. Johns HS, and R. B. Stall HS.

Dinos Liollio, a 40 year veteran of the industry, provided the key note speech, and his chosen topic was timely for the students waiting to deliver their own presentations. Mr. Liollo spoke on the impact of non-verbal communication. He used many pictures and a movie clip to illustrate his points, and ended the presentation with a video of the dramatic pre-game ritual performed by the All Blacks Rugby Team from New Zealand. He encouraged the students to be aware of what was being communicated by the position of their arms and legs, their facial expressions, and their eye contact during conversations.

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After the keynote presentation concluded, each school was invited to the stage to present their class project.

Mr. Roy Kemp, PLTW Engineering Instructor and CTE Department Chair from Burke High School provided the following account of his experience at the ACE Mentors’ Banquet:

"Last night at the presentation banquet for ACE, a student mentoring program with Architects, Contractors and Engineers, outstanding young people from Burke High School, St. Johns High School and R. B. Stall High School made presentations of commercial projects that they had designed and worked on over the past school term under the mentorship of professionals from the three aforementioned tiers of the construction industry."

The class projects presented included: A pavilion for the International African American Museum complete with sketches, CAD drawings and a scale model by Burke HS students;

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a wrestling facility complete with engineering drawings, construction budgets and support materials by St. Johns HS students;

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and a regional recycling center with the “world’s biggest recycled water bottle” fountain along with all the other documentations by R. B. Stall HS students.

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The projects were ambitious, well planned with acute attention to details, and served their functions within our extended community amazingly well. The presentations were complete with every step of the planning and development process for these projects, and the students were articulate, at ease and presented to the room of some 100 attendees as well as most professionals. I was proud of the efforts, and realized that the ACE Mentoring Program, along with select educators from the CTE department of Charleston County Schools working with them was helping to develop our community’s future through solving real world development problems. They even gave three $1,000.00 scholarships to deserving students!"

Congratulations to Julio Solis, Ignacio Lopez, and Adrian Santiago on their scholarship awards! All three are graduating seniors from R. B. Stall High School.

Thanks to the school faculty and parents for attending to celebrate these students’ achievements. Thanks to Dinos Liollio for delivering an excellent keynote. Thanks to Rob Turner, Chairman of the ACE Mentors of Greater Charleston Board and all the volunteers and supporters of this terrific program for their investment of time and talent, and for a wonderful celebration for all involved to end the year!

ACE PROGRAM STUDENTS VISIT LIOLLIO

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Liollio Architecture hosted students and mentors from the St. John’s High School ACE Program at our office on Tuesday. The students spent the morning getting a first-hand look into the day to day workings of an architecture office. They participated in a project-based learning exercise that guided them through sketching three dimensional objects in plan, section and elevation. They then continued work on their semester project to design a new wrestling facility for their school. Thank you to everyone involved for it a fun and memorable day!